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In 2009, Arsenal Pulp Press published a collection of essays framed as intergenerational advice to queer youth, called Second Person Queer, edited by the inimitable team of Richard LaBonte and Lawrence Schimel.

I was glad to have an essay in the collection, “Letter to a New Generation of Gate Keepers”, in which I sought to address what I see as the sacred, spiritual gift of same-sex wiring. It was the first time I’d raised these thoughts in public, and they helped clarify my sense of purpose in writing fiction: to explore the power and beauty of same-sex attraction, and the possibility that gay men hold a particular responsibility within the spiritual ecology of humankind.

It would be presumptuous of me to speak on behalf of those wired differently from me — I’m a cisgendered gay man — but I can speak up as one such. I do hope others will …

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After a week of dithering about whether it was “the sensible thing to do” (Of course it’s not! It makes hardly any sense at all, financially or logistically.) I’ve decided to attend the LLF-sponsored finalists reading in L.A. on May 15th. I had a big coupon from Southwest Airlines and deccided to splurge. Even if it isn’t the sensible thing to do, it feels right and I’m excited at the prospect of meeting and reading to a completely new audience.

So if you’re in West Hollywood, or feel like driving distance to attend, I’d love to see you there!

It’s on Friday May 15, 7:00 pm at the County of Los Angeles – West Hollywood Branch Public Library, 625 N San Vincente Blvd., West Hollywood, CA, 90069

It feels deliciously extravagant to be flying from one coast to the other to read from The Companion, as if I were …

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Just coming up for air after a wildly eventful two weeks. Not sure what happened astrologically or in some other energies I don’t manage, but it was like a dam broke and washed down my river without doing a stick of damage. Instead, cycles that have been in “pending” mode for months all sprang forward as if the Cosmos had flipped a switch.

Unnerving — and exciting! So here’s the executive summary:

LammyFinalist_Small_Web_v3Wednesday, Mar 4 I learned that my novel The Companion is a finalist in this year’s Lambda Literary Awards. A week later I’m still giddy about it, and probably will be for months to come. For someone who writes gay fiction, this is huge, and would have made a stellar week all on its own. It’s the equivalent of being nominated for an Oscar for us. Bob and I immediately bought tickets to the awards ceremony June 1st …

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For years, I had a quote pinned up on the wall of my workspace attributed to congressional historian Daniel J Boorstin: “The greatest obstacle to discovering the shape of the earth, the continents, and the oceans was not ignorance, but rather the illusion of knowledge.”

With Mercury about to station retrograde October 4th, this is the ideal time for me to deliberately relax my grip on certainty, check my reality compass and make some room for discovery.

I’d like to share with you something of my respect for disillusionment – the loss of illusion. Discovery is an essential part of any plot, from clues in a murder mystery, to trust (misplaced, real or withheld) in a romance, geographic exploration in an adventure, or finding inner strength in the Hero’s Journey. While the need for profound discovery is always present in our stories, the context for the discovery is infinitely changeable. …

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The CompanionJuly 23, 2014 — release day for The Companion, coming to you today from Dreamspinner Press. You can read the first two chapters here.

Well, I’ve got a great cover, an interesting (I think, anyway!) story, promotional blog posts organized. Hopefully some review sites will pick up the book and say nice things about it, causing millions of eager readers to buy their own copies.

I’d like to say that the project is now out of my hands, but in current-day publishing the burden of ongoing publicity sits in the author’s lap like an eight hundred pound gorilla, and he’s there for the life of the book.

Okay, maybe that’s an exaggeration. More like a friendly five hundred pound gorilla, very into hugs, sharing bananas and checking my hair for lice. For me the gorilla, friendly as he is, takes a lot of attention and energy, even …

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Fellow author Jamie Fessenden wrote a very thoughtful post on his blog recently, about women writing M/M romance, which you can find —here—. It’s well worth reading and thinking about.

This is an issue that has arisen on discussion loops and author blogs for years, often in some combination of complaint, disrespect, snark and defiance. Recent posts on the topic are less strident, I’m grateful to see.

I really appreciate Jamie’s approach, since it offers real commentary, and avoids the outraged “Women don’t write us right!” or “I write werewolves, does that mean I have to be one to write authentically about them?” arguments, both of which which basically miss the point.

“Who the heck is this ‘us’?” this particular gay man asks. The diversity even just within the European / North American gay male demographic is too fabulously far-ranging to function with an individual spokesman. And with werewolves, …

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I’m so thrilled with the cover art for The Companion, finalized this week with Paul Richmond of the Dreamspinner art department! Original art by Dan Skinner.

The CompanionThis is the back cover copy:

Shepherd Bucknam hasn’t had a lover in more than a decade, and doesn’t need one. As a Daka, he coaches men in the sacred art and mystery of sexual ecstasy all the time, and he loves his work. It’s his calling. In fact, he’s perfectly content—except for the terrors of his recurring nightmare, and the ominous blood-red birthmarks on his neck. He’s convinced that together they foretell his early and violent death.

When Shepherd’s young protégé is murdered, LAPD Detective Marco Fidanza gets the case. The two men are worlds apart: Marco has fought hard for everything he’s accomplished, in sharp contrast to the apparent ease of Shepherd’s inherited wealth—but their mutual attraction is too hot for …

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So — picking up from Part One: a straight hero grows up in an automatic level of belonging—whether it’s the idyllic Shire, or some other culture in which the hero belongs to an identifiable majority—that a gay one does not. But there’s a great and powerful gift inside the pain of not belonging: it sets him free. The gay hero does not owe the same psychic allegiance to the heteronormative world and its cultural conventions that a straight hero does. He sees the culture in which he lives through a very different lens. As a result, he understands the familiar world from a perspective that is ideally equipped to bring outside-the-box thinking for change, insight, compassion and creativity. But it takes courage to do it.

In boyhood most gay males learn to be shape-shifters, which in itself is another kind of separation from the world. Generally speaking, he learns to …

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I’m developing materials for an online course to be presented this October under the aegis of the Florida Romance Writers, focusing on the differences in the Hero’s Journey for a gay protagonist. I’ve been fascinated by the Hero’s Journey since I read Campbell’s Hero With a Thousand Faces as a teenager. It wasn’t until decades later–after I came out–that I became sensitive to the heteronormative overlays in the Journey as it was usually described. At first I was offended, but I soon realized that those overlays were perfectly appropriate for straight heroes, and that “somebody” ought to get busy and examine the differences for a gay male hero. So here are some comments about how a gay Hero’s Journey might present unique opportunities for a writer.

Now before anyone asks about other queer heroes (other than a gay male), let me beg those who are qualified to contribute to this …

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At the Equinox, just for a day, the world is united in a way that has nothing to do with human agendas or ideology, nothing to do with environment or climate, nothing to do even with season of the year: there is the same amount of light and darkness everywhere. It’s a kind of creative equality that fascinates me.

This time, as the sun crossed the Equator, I got the image of an adult leading an art project for some kids. Each child had a nice clear workspace, some on the floor, some at tables, some standing in front of a wall. The atmosphere was calm and full of anticipation. She hands out a big sheet of sturdy paper to each child, and then distributes sets of brushes and two identical jars — one of light and one of darkness.

“Okay, everyone,” she says to the eager kids (and I’m …

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